quarta-feira, 28 de maio de 2014

ON THE PULSE OF MORNING, BY MAYA ANGELOU

REST IN PEACE (St. Louis, Missouri, 4th April 1928 - Winston - Salem, North Carolina, 28th May 2014) - One great, great Lady!

ON THE PULSE OF MORNING

"A Rock, A River, A Tree
Hosts to species long since departed,
Mark the mastodon.
The dinosaur, who left dry tokens
Of their sojourn here
On our planet floor,
Any broad alarm of their of their hastening doom
Is lost in the gloom of dust and ages.
But today, the Rock cries out to us, clearly, forcefully,
Come, you may stand upon my
Back and face your distant destiny,
But seek no haven in my shadow.
I will give you no hiding place down here.
You, created only a little lower than
The angels, have crouched too long in
The bruising darkness,
Have lain too long
Face down in ignorance.
Your mouths spelling words
Armed for slaughter.
The rock cries out today, you may stand on me,
But do not hide your face.
Across the wall of the world,
A river sings a beautiful song,
Come rest here by my side.
Each of you a bordered country,
Delicate and strangely made proud,
Yet thrusting perpetually under siege.
Your armed struggles for profit
Have left collars of waste upon
My shore, currents of debris upon my breast.
Yet, today I call you to my riverside,
If you will study war no more.
Come, clad in peace and I will sing the songs
The Creator gave to me when I
And the tree and stone were one.
Before cynicism was a bloody sear across your brow
And when you yet knew you still knew nothing.
The river sings and sings on.
There is a true yearning to respond to
The singing river and the wise rock.
So say the Asian, the Hispanic, the Jew,
The African and Native American, the Sioux,
The Catholic, the Muslim, the French, the Greek,
The Irish, the Rabbi, the Priest, the Sheikh,
The Gay, the Straight, the Preacher,
The privileged, the homeless, the teacher.
They hear. They all hear
The speaking of the tree.
Today, the first and last of every tree
Speaks to humankind. Come to me, here beside the river.
Plant yourself beside me, here beside the river.
Each of you, descendant of some passed on
Traveller, has been paid for.
You, who gave me my first name,
You Pawnee, Apache and Seneca,
You Cherokee Nation, who rested with me,
Then forced on bloody feet,
Left me to the employment of other seekers--
Desperate for gain, starving for gold.
You, the Turk, the Swede, the German, the Scot...
You the Ashanti, the Yoruba, the Kru,
Bought, sold, stolen, arriving on a nightmare
Praying for a dream.
Here, root yourselves beside me.
I am the tree planted by the river,
Which will not be moved.
I, the rock, I the river, I the tree
I am yours--your passages have been paid.
Lift up your faces, you have a piercing need
For this bright morning dawning for you.
History, despite its wrenching pain,
Cannot be unlived, and if faced with courage,
Need not be lived again.
Lift up your eyes upon
The day breaking for you.
Give birth again
To the dream.
Women, children, men,
Take it into the palms of your hands.
Mold it into the shape of your most
Private need. Sculpt it into
The image of your most public self.
Lift up your hearts.
Each new hour holds new chances
For new beginnings.
Do not be wedded forever
To fear, yoked eternally
To brutishness.
The horizon leans forward,
Offering you space to place new steps of change.
Here, on the pulse of this fine day
You may have the courage
To look up and out upon me,
The rock, the river, the tree, your country.
No less to Midas than the mendicant.
No less to you now than the mastodon then.
Here on the pulse of this new day
You may have the grace to look up and out
And into your sister's eyes,
Into your brother's face, your country
And say simply
Very simply
With hope
Good morning."

by Maya Angelou





domingo, 25 de maio de 2014

SHE WALKS IN BEAUTY

"She walks in beauty, like the night
Of cloudless climes and starry skies;
And all that's best of dark and bright
Meet in her aspect and her eyes:
Thus mellowed to that tender light
Which heaven to gaudy day denies.

One shade the more, one ray the less,
Had half impaired the nameless grace
Which waves in every raven tress,
Or softly lightens o'er her face;
Where thoughts serenely sweet express
How pure, how dear their dwelling place.

And on that cheek, and o'er that brow,
So soft, so calm, yet eloquent,
The smiles that win, the tints that glow,
But tell of days in goodness spent,
A mind at peace with all below,
A heart whose love is innocent!"

Lord Byron





(Pintura - "Nude In Ocean", by Monika Dickson)



sábado, 24 de maio de 2014

THE HIGHWAYMAN



PART ONE

I


"THE wind was a torrent of darkness among the gusty trees,
The moon was a ghostly galleon tossed upon cloudy seas,
The road was a ribbon of moonlight over the purple moor,
And the highwayman came riding—
Riding—riding—
The highwayman came riding, up to the old inn-door."

II

"He'd a French cocked-hat on his forehead, a bunch of lace at his chin,
A coat of the claret velvet, and breeches of brown doe-skin;
They fitted with never a wrinkle: his boots were up to the thigh!
And he rode with a jewelled twinkle,
His pistol butts a-twinkle,
His rapier hilt a-twinkle, under the jewelled sky."

III

"Over the cobbles he clattered and clashed in the dark inn-yard,
And he tapped with his whip on the shutters, but all was locked and barred;
He whistled a tune to the window, and who should be waiting there
But the landlord's black-eyed daughter,
Bess, the landlord's daughter,
Plaiting a dark red love-knot into her long black hair."

IV

"And dark in the dark old inn-yard a stable-wicket creaked
Where Tim the ostler listened; his face was white and peaked;
His eyes were hollows of madness, his hair like mouldy hay,
But he loved the landlord's daughter,
The landlord's red-lipped daughter,
Dumb as a dog he listened, and he heard the robber say"

V

"'One kiss, my bonny sweetheart, I'm after a prize to-night,
But I shall be back with the yellow gold before the morning light;
Yet, if they press me sharply, and harry me through the day,
Then look for me by moonlight,
Watch for me by moonlight,
I'll come to thee by moonlight, though hell should bar the way.'"

VI

"He rose upright in the stirrups; he scarce could reach her hand,
But she loosened her hair i' the casement! His face burnt like a brand
As the black cascade of perfume came tumbling over his breast;
And he kissed its waves in the moonlight,
(Oh, sweet, black waves in the moonlight!)
Then he tugged at his rein in the moonliglt, and galloped away to the West."

PART TWO

I


"He did not come in the dawning; he did not come at noon;
And out o' the tawny sunset, before the rise o' the moon,
When the road was a gypsy's ribbon, looping the purple moor,
A red-coat troop came marching—
Marching—marching—
King George's men came matching, up to the old inn-door."

II

"They said no word to the landlord, they drank his ale instead,
But they gagged his daughter and bound her to the foot of her narrow bed;
Two of them knelt at her casement, with muskets at their side!
There was death at every window;
And hell at one dark window;
For Bess could see, through her casement, the road that he would ride."

III

"They had tied her up to attention, with many a sniggering jest;
They had bound a musket beside her, with the barrel beneath her breast!
'Now, keep good watch!' and they kissed her.
She heard the dead man say—
Look for me by moonlight;
Watch for me by moonlight;
I'll come to thee by moonlight, though hell should bar the way!"

IV

"She twisted her hands behind her; but all the knots held good!
She writhed her hands till her fingers were wet with sweat or blood!
They stretched and strained in the darkness, and the hours crawled by like years,
Till, now, on the stroke of midnight,
Cold, on the stroke of midnight,
The tip of one finger touched it! The trigger at least was hers!"

V

"The tip of one finger touched it; she strove no more for the rest!
Up, she stood up to attention, with the barrel beneath her breast,
She would not risk their hearing; she would not strive again;
For the road lay bare in the moonlight;
Blank and bare in the moonlight;
And the blood of her veins in the moonlight throbbed to her love's refrain."

VI

"Tlot-tlot; tlot-tlot! Had they heard it? The horse-hoofs ringing clear;
Tlot-tlot, tlot-tlot, in the distance? Were they deaf that they did not hear?
Down the ribbon of moonlight, over the brow of the hill,
The highwayman came riding,
Riding, riding!
The red-coats looked to their priming! She stood up, straight and still!"

VII

"Tlot-tlot, in the frosty silence! Tlot-tlot, in the echoing night!
Nearer he came and nearer! Her face was like a light!
Her eyes grew wide for a moment; she drew one last deep breath,
Then her finger moved in the moonlight,
Her musket shattered the moonlight,
Shattered her breast in the moonlight and warned him—with her death."

VIII

"He turned; he spurred to the West; he did not know who stood
Bowed, with her head o'er the musket, drenched with her own red blood!
Not till the dawn he heard it, his face grew grey to hear
How Bess, the landlord's daughter,
The landlord's black-eyed daughter,
Had watched for her love in the moonlight, and died in the darkness there."

IX

"Back, he spurred like a madman, shrieking a curse to the sky,
With the white road smoking behind him and his rapier brandished high!
Blood-red were his spurs i' the golden noon; wine-red was his velvet coat,
When they shot him down on the highway,
Down like a dog on the highway,
And he lay in his blood on the highway, with the bunch of lace at his throat."

X

"And still of a winter's night, they say, when the wind is in the trees,
When the moon is a ghostly galleon tossed upon cloudy seas,
When the road is a ribbon of moonlight over the purple moor,
A highwayman comes riding—
Riding—riding—
A highwayman comes riding, up to the old inn-door."

XI

"Over the cobbles he clatters and clangs in the dark inn-yard;
He taps with his whip on the shutters, but all is locked and barred;
He whistles a tune to the window, and who should be waiting there
But the landlord's black-eyed daughter,
Bess, the landlord's daughter,
Plaiting a dark red love-knot into her long black hair."

Alfred Noyes

quinta-feira, 22 de maio de 2014

O VENTO

Ah! Vens tu,
Acariciar-me a pele…
No silêncio perturbador da noite
Vens tu,
Ah! Acariciar-me a pele

Ah!
Consolador…
Castigador…
Ora seda, ora espinhos…

Ah!
Arrastas-te…
Impões-te…
Ora fujo, ora fico…

Ah! Se soubesse…
Como me acaricias a pele!

(meu)




SONETO DA FIDELIDADE

"De tudo, ao meu amor serei atento
Antes, e com tal zelo, e sempre, e tanto
Que mesmo em face do maior encanto

Dele se encante mais meu pensamento.

Quero vê-lo em cada vão momento
E em seu louvor hei de espalhar meu canto
E rir meu riso e derramar meu pranto
Ao seu pesar ou seu contentamento.

E assim, quando mais tarde me procure
Quem sabe a morte, angústia de quem vive
Quem sabe a solidão, fim de quem ama

Eu possa me dizer do amor (que tive):
Que não seja imortal, posto que é chama
Mas que seja infinito enquanto dure
."

Vinicius de Moraes




TENHO UM SEGREDO

Tenho um segredo…
Que m’abarca, e me aquece…
… que me exalta, e floresce…
… que me perde, e acontece,
Que desse segredo não se padece,
Pois senão, ele enobrece.

(meu)




NÃO TENHO PRESSA

"Não tenho pressa. Pressa de quê? 
Não têm pressa o sol e a lua: estão certos. 
Ter pressa é crer que a gente passa adiante das pernas, 

Ou que, dando um pulo, salta por cima da sombra.
Não; não sei ter pressa.
Se estendo o braço, chego exactamente aonde o meu braço chega -
Nem um centímetro mais longe.
Toco só onde toco, não aonde penso.
Só me posso sentar aonde estou.
E isto faz rir como todas as verdades absolutamente verdadeiras,
Mas o que faz rir a valer é que nós pensamos sempre noutra coisa,
E vivemos vadios da nossa realidade.
E estamos sempre fora dela porque estamos aqui
."

Alberto Caeiro, in "Poemas Inconjuntos"




AS CORES DO CALEIDOSCÓPIO

As cores de um caleidoscópio,
compostas no pensamento…

Canção de fantasia,
numa contínua mudança,
em frágeis pigmentos,
envolvidos numa dança…

Castelos e florestas,
praias e cidades…
Princesas e feiticeiros,
Grutas e mares…

Numa suave ressonância
De um arrastar, em silêncio,
Os sons do caleidoscópio,
Os sons de uma infância.

E corridos os panos,
Perdida, a Lua permanecia…
Adormeciam as tantas cores…

Tombava em mim o brando sono,
O rosto firme, num sono de alegria…

(meu)




MAIS UM BLOG DE POESIA...

A poesia é um sentir das coisas... totalmente parcial... de opinião controversa e incontestável... não é científica... não é uma disciplina... é: simplesmente poesia...

Este novo blog tem não apenas a intenção de homenagear os meus poemas preferidos... como também a de introduzir - meio às escondidas - no seio de tantas cores, sons, paladares, cheiros e sentimentos, a minha humilde contribuição no extenso, emblemático e perfeito mundo da poesia...

"A Poesia"

"... Quantas obras de arte... Já não cabem no mundo... Temos de as pendurar fora dos quartos... Quantos livros... Quantos livrecos... Quem será capaz de os ler?... Se fossem comestíveis... Se numa panela de grande calado os fizéssemos em salada, os picássemos, os alinhássemos... Já não se pode mais... Estamos até ao pescoço... O mundo afoga-se na maré... Reverdy dizia-me: "Avisei o correio para que não me trouxesse mais livros... Não poderia abri-los. Não tenho espaço. Trepam pelas paredes, temi uma catástrofe, ruiriam em cima da minha cabeça"... Todos conhecem Eliot... Antes de ser pintor, de dirigir teatros, de escrever luminosas críticas, lia os meus versos... Sentia-me lisonjeado... Ninguém os compreendia melhor... Até que um dia começou a ler-me os seus e eu, egoisticamente, corri a protestar: "Não mos leia, não mos leia"... Fechei-me no quarto de banho, mas Eliot, através da porta, lia-mos... Fiquei muito triste... o poeta Frazer, da Escócia, estava presente... Increpou-me: "Porque tratas assim Eliot?"... Respondi: "Não quero perder o meu leitor. Cultivei-o. Conhece até as rugas da minha poesia... Tem tanto talento... Pode fazer quadros... Pode escrever ensaios... Mas eu quero manter este leitor, conservá-lo, regá-lo como planta exótica... Compreendes-me, Frazer?... Porque a verdade, se isto continua, é que os poetas vão acabar por publicar só para outros poetas... Cada um apresentará a sua plaqueta, metendo na algibeira do outro o seu poema... e deixá-lo-à no prato do outro... Quevedo deixou-o um dia debaixo do guardanapo de um rei... Isso, sim, valia a pena... ou em pleno sol, a poesia numa praça... Ou que os livros se desgastem, se esfrangalhem nos dedos da humana multidão... Mas esta publicação de poeta para poeta não me tenta, não me inita, não me anima senão a emboscar-me na natureza, perante uma rocha e uma onda, longe das editoras, do papel impresso... A poesia perdeu o seu vínculo com o leitor distante... Tem de o recuperar... Tem de caminhar na escuridão e encontrar-se com o coração do homem, com os olhos da mulher, com os desconhecidos das ruas, daqueles que a certa hora crepuscular ou pela noite estrelada carecem nem que seja de um único verso... Tal visita ao imprevisto vale todo o caminho andado, tudo o que se leu, tudo o que se aprendeu... É precuso perdermo-nos entre os que não conhecemos para que de súbito recolham o que é nosso na rua, na areia, nas folhas caídas durante mil anos no mesmo bosque... e tomem ternamente esse objecto que nós criamos... Só então seremos verdadeiramente poetas... Nesse objecto viverá a poesia..."

Pablo Neruda, in "Confesso que Vivi"








O QUE ENTENDES POR POESIA?

Há três anos atrás o meu filho - o Miguel -, então com 13 anos supreendeu-me com a sua definição de poesia... a intenção era a de eu lhe corrigir os erros ortográficos... E morri de tanto orgulho! 

"A POESIA

A poesia é algo que vem de dentro de nós. É algo que está dentro do nosso coração e que habita o nosso cérebro, as nossas visões. É algo de que nós gostamos, algo que queremos exprimir, algo que precisamos contar, para que toda a gente o saiba.

É uma das melhores formas de nos relacionarmos com o mundo. É importante para descarregarmos todos os tipos de sentimentos e ideias, e com sorte, sem ferirmos ninguém…

Como muita gente pensa, a poesia não é só um texto que rima (ou não) e que nos pode trazer a fama e dinheiro. Tenho a certeza que os grandes poetas não escreveram poesia a pensar que iam ficar ricos e famosos. Não! A poesia é um mundo de diversão, de imaginação e de criatividade.

É importante conhecermos a poesia, os poetas… É importante saber compreender a poesia. Quem sabe, a poesia não se torna das coisas mais importantes na nossa vida. Quem sabe não aprendemos a usá-la na nossa vida e a descobrir o mundo de outra maneira.

A poesia é importante para sabermos amar, respeitar, nos divertirmos e para crescermos! Para crescermos como humanos!
"

Por Miguel Catita


Uma das paixões da minha vida: o meu filho!